Rose-like when I married you and brought you to the mill,
your petals peel off one by one to fall at each year’s fill.
Your beauty, it evaporates and mingles with the clouds,
but falls again as morning dew to perfume all the flowers.
Rose-like when I married you and brought you to the mill,
your petals peel off one by one to fall at each year’s fill.
Your beauty, it evaporates and mingles with the clouds,
but falls again as morning dew to perfume all the flowers.
Kavrós (Yánnis Hassapladhákis), Cretan “mantinádha” rhyming couplets
Ρόδο ’σουν όντε σ’ έπηρα και σ’ έφερα στο μύλο,
μα κάθε χρόνος που περνά σου πέφτει κι ένα φύλλο.
Τα κάλλη σου ξατμίζουνται, τα σύννεφα ’κλουθούνε,
μα στ’ άνθη δρόσος πέφτουνε, γι’ αυτό μοσχοβολούνε.
These Greek lines are spoken by the doctor Yorgos Markakis in the documentary feature The Light Inside (2015), directed by Stavros Psillakis.
They were referenced in an essay titled “Everything Depends on the Quality of the Encounter” that Psillakis wrote for the Thessaloniki Documentary Festival publication On the Threshold (TiDF25).
The commissioned translation was not used in full.
see also
A mutilated ⋮ death.
All that I ⋮ back.
Like ⋮ the smell of earth.
Words ⋮ seem unrecognisable.
arkhæio
ON THE THRESHOLD
Plunged in moonlight, the marbles grew weightless,
like some essence liquefying along with our gaze.
George Seferis, from the novel Six Nights on the Acropolis (1974)
Βυθισμένα μέσα στο φως του φεγγαριού, τα μάρμαρα έχαναν το βάρος τους,
έμοιαζαν μια ουσία που διαλύεται μαζί με το βλέμμα.
George Seferis was awarded the 1963 Nobel Prize in Literature.
Taken from a speech given by the President of the Onassis Foundation – Anthony S. Papadimitriou – at an event celebrating the redesign of the lighting for the Athenian Acropolis and its monuments in 2020.
see also
(this transpolium lives alone)